Page 31 - 2013福隆國際沙雕藝術季

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ɓఙᘾᜰεϋٙتईོഁϋ௴༷

A Fantasy with Rattle Drum Finally Comes True
ᆽ֛ə˴ᕚ݊ഁϋΫኳʘܝdટɨԸ௰ɽٙܿ኷ఱ݊dνОᎉ̈ᜫɽ࢕ɓ޶ఱϞ΍ჼٙЪۜdΝ
ࣛɦঐᅤᅡৎᆑᔛίɛࡁːֵ௰ॆʲٙߕλΫኳf
௓༃ጳ vs. ؍๎ޙ As for this year’s festival, the main difficulty that I had to overcome was to make the sculpture
simple enough for the majority of the audience to know what it is, and yet try to evoke a deeper
feeling within the audience when they view the sculpture.
JOOheng Tan Linda Lin

Profile Profile ҢΝจJoohengd࿁ҢԸႭd௰ɽٙᗭܓɰ݊νО፯኿Ո΍ჼٙЪۜdԨ˲ୌΥ΢ࡈϋᙧᄴٙΫ
ኳdίˢԷʿ˴ᕚٙ፯኿ɪνОѩፅ˲Ո˾ڌ׌dᐼࢭᅰϞࠢdШ̙˸ᎉٙ؇Г˄εəf௰ܝ௷
â2013၅ඤ਷ყӍᎉ֙࢝ఙᐼணࠇ â2013၅ඤӍᎉ֙஝ྌ୕ᘪ
The chief designer and sculptor for the 2013 Coordinator of the 2013 Fulong ̈ٙఱ݊ɽ࢕޶ՑٙЪۜᚿdʔཀdɓ֛ࠅ౤ɓɨ̨ᝄϼ൑d̴݊வϣӍᎉЪۜʕඎ᜗௰ɽٙɓ
Fulong Sand Sculpture Festival Sand Sculpture Festival ࡈ˴ᕚf
I totally agree! Making up the theme was only the first step. Next we need to decide the symbolic items
â2012၅ඤ਷ყӍᎉ਷ყଡ଼ˢᒄ ڿࠏ௴Ъ؛໋‘ â؇̏ԉࠬ၍ஈ༷ኰሙሙڗ for most people’s childhood memories. It could be a rattle-drum, or an educational show for children, or
Wu Sheng, won First prize in the Fulong Chief of Recreational Dept. of even a super hero from a cartoon. The numbers of sculptures are limited, yet the childhood-relevant stuff
International Sand Sculpting Championship in 2012 the Northeast and Yilan Coast is so numerous. It really took quite some time for us to make the decision about the 2013 collection. And
Administration among the collection, Taiwan Old Streets is the one that impressed me most. There were four sculptures
âɧ֣˰ޢӍᎉɽᒄڿࠏ
Won First Prize in the World Championship of presenting what Taiwan old streets looked like and they were very vivid and lifelike!
Sand Sculpting in 2008, 2011, and 2013

Ңᙂ੻ʔҙ͉݊ܘࠠࠅٙdˈՉ݊ίவࡈɭԫᑺӋҞ஺ٙϋ˾d࿁ίή˖ʷһცࠅλλࠠൖd̨
ʦϋٙӍᎉ֙˴ൿ˸˜ഁϋ™މ̈೯ᓃdՉྼ༷݊ኰሙٙӍᎉྠඟܠϽ஢ɮdޟЇίᑕࣣකணਖ਼
ᝄϼ൑̙Ⴍ݊੽ۃԟࡈ˾˾ٙᐵᅂd޴຅Ո˾ڌ׌dΪϤҢतйίʦϋٙӍᎉЪۜʕ੶ሜவɓӻ
ਜীሞd͉Ըɓٜ୭ᕎʔəౕҞeอփe̙ฌٙ˙Σdۍίɓϣྠඟীሞึᙄʕd߉್̈ତ˜ഁ
ΐٙϼ൑Ъۜf
ϋ™வࡈ˴ᕚd຅ࣛҢ৵ɪᄳڦഗ຅͍ࣛίߕ਷ˢᒄٙJoohengdɓשуΥl
We spent a lot of time discussing for the main theme of the 2013 Sand Festival, hoping to present I think it is very important for us to remember our roots and culture, especially during this fast
a different festival from the previous five years. We even opened a discussion forum on Facebook, paced era. These old streets are so iconic and integral in Taiwanese culture and therefore, I feel
trying to put heads together so as to get better results. However, it was not really that helpful. that it is essential for me to specially design and dedicate a significant portion of the festival to
Nevertheless, we were not frustrated. Then, one day during a routine meeting, an idea just popped showcase the old streets.
up in my head. Why not choose childhood memories as the topic? I wrote to Jooheng immediately
about the idea but at that time he was in the US for a sand competition.
࡝ක֐Ңࡁᒔዄː༈νОяତ̨ᝄϼ൑ٙၚ᜖dٜՑҢࡁ޶ՑJooheng࿁̨ᝄϼ൑ٙ९౜ণྡd
̂တəي΁ٙ୚ືʿϞሳٙʩ९dνɓ৳ʃኣډא݊ɓష̚Ϙࣛಂଗఓጟٙऎజdᜫϼ൑ணࠇᜊ
ҢܘႩΝவࡈ˴ᕚdΪމӊࡈɛேϞІʉዹɓೌɚٙഁϋ຾᜕dҎૐ̙˸ீཀӍᎉ֙ݺਗd̙˸ ੻һݺᆌdɰ᜗ତə̨ᝄӍᎉٙዹϞतЍfҢࡁҎૐӊࢭӍᎉЪۜேঐᜫ༷܄ታԑeชաணࠇ٫
ఎৎӊࡈɛːʕԟԬྡྷ܆ʊɮeۍʔಀ૱ҙٙߕλഁϋাኳfҢٙഁϋܘᔊዎۍܘҞᆀd੽ʃ ̷ٙܠdԫྼᗇ׼ɽ࢕৾ɨԸؚሧٙࣛගᜊڗədˈՉ݊৾ί̨ᝄϼ൑ٙЪۜۃf
ί৵ԸГԭٙඊɨڗɽdӚ˥Ӛཥdӊ˂ேԏ໔ίඊගൺԸൺ̘dɓ˂ɨԸԒɪᐼึᄣ̋ʔˇ Actually, we were a little uncertain about the way to present old streets at first, until we saw the
อᔚٙෆ଱f sketch Jooheng did for the work. It includes so many interesting elements and authentic details,
such as a nostalgic poster for cough sweets, or a little house lizard descending from the pillar. Later
I chose this theme because each and every one of us has a unique childhood. I hope that through
this festival, I am able to bring out those long forgotten yet beautiful childhood moments. I led a during the festival, it proved that visitors shared the common memories about old streets. They
very simple yet happy childhood. I stayed in a kampong, which is the Malay word for village, with would spend more time viewing the old street sculptures, taking a closer look.
no electricity or water during my childhood days. Everyday without fail, I would run around the
kampong barefooted and often end up sustaining cuts and scratches.

຅༷܄̙˸һڐ൷ᕎᝈሧӍᎉЪۜd˼ࡁһ࢙׸޶ԈЪۜʕӊஈᝤ଱ٙ୚ືdɰһ࢙׸ชաՑӍ
ҢࡁேႩމவࡈ˴ᕚܘბܘλ೯౨d຅ࣛ݊2011ϋٙ9˜dఱක֐ಃவࡈ˙Σ࿴ܠf༧Joohengٙ ᎉࢪٙ͜ːfʦϋٙӍᎉ࢝ఙ͍݊˸Ϥމணࠇଣׂdᜫ༷܄અ༷߈૞ίӍᎉЪۜʕd୚୚ۜբՉ
ഁϋ຾᜕ܘ྅dҢɰ݊ί̨ʕඊɨڗɽٙdΙ൥ʕɽ௅ʱٙࣛගʔ݊ίዓɪeئ༁eఱ݊ί̲̲ ʕf
ٙൄ෤dӊ˂ِՑ˂ලʑٵΫ࢕f౼৿ࣛd௟ഹᝣජᕣ40ʱᙒٙІБԓՑದآϫِɓ዆ࡈɨʹٙ When the sculptures are closer towards the audience, they will be able to feel more in touch with
˥dҢซவ݊Ңତί፬Ӎᎉݺਗʔ׊᛼ٙ˴Ϊы(३)l the sculptures as they will be able to see the fine details and feel the effort put in by the sculptors
We were both convinced that the topic was cool and would be fun for all visitors. And since then (I in creating these sculptures. The festival is also designed such that the audience experiences a
remember it was September, 2012), our team started to make preparations. As for my childhood, it was flow when walking through the sculptures.
very similar to Jooheng’s. I grew up in a rural area in Tai-zhong, and spent all my time climbing trees,
playing in the river, or fooling around at my grandma’s vegetable farm. During summer vacation, I would
ride my bike for forty minutes under the burning hot sun to the swimming pool, and play in the water for
the whole afternoon. I think that can explain why I can get suntan so easily. (Every summer during the
festival, all of our teammates inevitably get a good suntan, and we sometimes even have a farmer’s tan!)
2013 福隆國際沙雕藝術季 Fulong International Sand Sculpture Festival Rattle-Drum and Childhood Memories 鼓動‧童心