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೯
̂တ˜Έgᅂgɠgቜ™ٙӍᖵ˂ੀ The Queen and the Pyramid
ତ 2011 ၅
h ර
ږ ඤ
Ӎ ਷
۬ ყ
ˮؒڿ€ၽᝄӍᎉྠඟ̜ණɛ/ԯ᜝ᎉ෧ྠඟࠋப Cleopatra sits on her throne of pillows staring to the Ӎ
pyramids from far. A thought is going through her mind. ᎉ
ɛ ᖵ
Can you figure it outk ஔ
֙
{Rodrigo Ferreira ( from Portugal) ၚ
Έᅂ༷ٙᏕ݊Ӎᎉ௰৖ɛٙή˙d௟ഹ੶ࠬड˚d ੹
୩ᛓഹᑊᑊईᏹdɓɠɓᗟdᑔɽϾː୚ٙ௴Ъf ɾˮၾږο෫ Ό ߏ
͟ɪϾɨɓᄴɓᄴᎇഹᅼؐdओତ̈ᖵஔ࢕ٙซ дᘆෳԽϖזɾˮλλٙ၌ѬίμٙӍ؆ɪdჇૐჃ˙ٙࡾʿږ ፽
྅dίɠቜದɵʘගdഗʚɛࡁ஢εٙ᝔ྖfԯ᜝ ο෫d߰Ϟהܠdਪёٝщk
ͭ᜗ᎉ෧˖ʷ෤ਜdᎉ෧௴Ъɚɤ༱d੻ᆤਞ࢝ೌ
ķᖯᅃԢˑh൬ཤז€໧ൃ˫ᘬӍᎉࢪ
ᅰdੂБӍᎉΆྌႡЪ̬ϋdʦϋΎܓ੭ჯ΢਷Ӎ
ᎉᖵஔ࢕d΍Νᗅ̈2011၅ඤ਷ყӍᎉᖵஔ֙ٙ
ɓݬၚڕዝ̦ʿߕλΫኳf It All Starts 11 Years Ago…

Ӎdක֐ٙซ྅d၅ဧᅙӍٙරږྫྷfίᕐ๣ئ
When I started sand sculpting before 11 years ago, I was
ձ˄̻ݱѰᕏٙږරЍӍᛉ࢝කdவɓஈतϞٙئऎᐑ׬dɰᜫᖵஔ࢕௴ிɓஈ᙮׵଩႓၅ंᎲၾࢀ˚
doing it to try a new material to work with. But what I
ᜮජߒ֛ٙئऎᆀ෤f௴Ъཀ೻ٙڜɢڢɓছႩٝʕٙჀᕦd˜Ꮐྼ™ٙʈЪʔঐϞɓᓃ৵ډdӍٙɽ didn’t know that time that this new technique will let me
ʃeᏀྼ೻ܓձᖵஔڌତഐ࿴ၾͭ᜗ชேცၚ୚౛છdʔ್ɰ஢ᅰ˚ٙːАఱ์׵ɓ͇iड˚ɨd˥΅ more and more in closing new friendship all over the
౳೯ٙҞdᎉ̈ٙຮԉຮᇞ׸ᎇഹӍɓ৻ఱʔԈdڭ๛ఱ੻ᎇࣛءจiΝࣛd੶ࠬɓԸdɦ੻ɓࠦڭᚐ world. Now after all this years, I’ve been working with so
many nationalities. At the end, what stays in memory is
ӍᎉЪۜdɓࠦזИ੮ᇻdଉ׊੮ᇻ஗ࠬєԐϾᏀۭЪۜfɽ࢕ӊ˂ே੻኷኷ᘩᘩdːઋᎇഹࠬeڠe
the lovely sculpture and places.
ජΈϾᙍਗഹd˂ࡉၡၡήଘਗഹӊɓЗᖵஔ࢕ٙːdཀ೻೓νգᚐІʉʃ܀ছdΌே̥މҁϓɓ΁Ӎ
ᎉЪۜfΪϤdئऎᆀ෤༁ӊࢭӍᎉே݊΢਷Ӎᎉ˓ኑၳːग़ʔ̙ε੻ٙɠቜʘࢭf {Yousef Bakir (from Germany)

ɽ˄ජɨᛇᆀٙਞᝈɛᆓd݊הϞ௴Ъ٫ٙ௰Գᘠᓿlɚࡈ˜ܝٙҁߕ̩ᓃdӍᛉɦΫూࡡϞ̻ٙ᎑d ༑Ⴍɤɓϋۃnn
੽ೌՑϞdɦΫూՑೌʘගdۍίၽᝄٙ؇̏ԉवɨɓࡈӍᎉᖵஔ˖ʷٙํੀf஗ᎉཀٙӊɓ୐ӍdԱ ɤɓϋۃɓක֐ટᙃӍᎉ௴ЪdՉྼ݊މəྒྷ༊ɓ၇อٙ௴ЪదҿdۍӚซՑɓ᎘ࣴආəӍᎉٙ˰ޢd
್᎑᎑ήሽίӍᛉɪdഃܙԸϋ஗ࠠอᓃɪᖵஔٙːАdᒯߒʕҢࡁᛓԈ၅ඤӍᎉϞɓ৬৬ᑊࠪෂԸd ᒔΪϤႩᗆə஢εԸІՉ˼਷࢕ٙӍᎉ௴Ъ٫d຾ཀəவჿεϋٙӍᎉ௴ЪdवίҢːֵଉஈٙԱ್݊
ԟɓࢭࢭӍᎉʿಀ຾הܙʘஈf
ࡡԸԟ݊Ӎٙխఎnn
ķߒ๾၅hԎд€ᅃᘬӍᎉࢪ

The Paradise of Sand: When Light Meets Shadow

Wang Song Guan (Leader of Taiwan Sand Sculpture Team and Jing Lin Sculpture Team)
made outdoors, always on the beach by the sea, both sculptors and sculptures need to be
strong enough to resist the wind and waves. Sculptors not only need to pay attention to the
One of the most fascinating parts of sand sculpture is the combination of light and shadow.
Whether it’s raining or sunny, sculptors kneel by the sculpture base, with a knife or shovel, work at hand, but also have to be observant and alert to the weather and environmental
making their imagination come to life in the sand. The Jing Lin Sculpture Team, having sand conditions around them. However, all the hard work and sweat paid off when countless
sculpting experience spanning more than twenty years, was responsible for co-coordinating visitors came to enjoy their time between the sand sculptures. Their laughter and smiles is the
the Fulong Sand Sculpture Festival for four years. This year, we were glad and honored to work greatest encouragement to us sculptors. After two months noise and excitement, the festival
with all the talented sculptors from worldwide. We shared a wonderful experience through eventually came to the end. The cranes shoveled the sand sculptures to the ground and the
creation and innovation. The process of making a sand sculpture is not easy at all. It is a task beach regained its space and tranquility, the tiny hiss sound from the sand was all that
calling on imagination, thoughtfulness, patience and resolution. At the same time, it requires remained. As a response to the call of the sand, we promised ourselves that we would come
good physical strength, carving skill, and a bit of good luck as well. Since sand sculpture is back again, with gratitude and respect.

Discovery of the Golden Sand Empire The 2011 Fulong International Sand Sculpture Art Festival